Completed - The Elizabethan House, New Street, Plymouth

The Elizabethan House reopens as a new immersive museum experience at No.32 New Street the Barbican, animating the story of the house and those that lived there through the eyes and ears of the building from its construction to the saving of the house in 1930s by the SPAB.

The conservation approach was a result of a joint architectural strategy between JMA and DHVA which identified at the briefing stage that an extension would be required to the rear of the property. We identified early on that the exhibition might require a green room and toilets facilities. The new building contained a riser that allowed the distribution of miles of data cable throughout the old house with the minimal impact on historic fabric. It also acted as a buttress to support the failing rear wall.

This allowed the rooms to be presented authentically, as the spaces themselves remain unchanged as the heritage statement and visual analysis confirmed that the physical spaces remained unchanged for 400 years.

Completed - Mission Church - A faithful approach to design

© Simon Maxwell Photography

Following a sensitive adaptive reuse of a Mission Church, clients Geoff and Julie are celebrating a new lease of life for “The Old Mission Church” which is now available to rent as a Cotswolds retreat in the picturesque village of Paxford. 

Whilst the Mission Church was not listed, the local authority considered the building a non-designated heritage asset. Cotswold District Council’s planning policy confirms that conversions of all non-domestic historic buildings should conserve the significance of the heritage asset including its form, features, character, and setting. A conservation based approach was adopted for the conversion based on an understanding of the buildings history and significance.  

The conservation approach adopted was to repair and reuse the existing fabric whilst adopting a minimal approach to modern interventions through maximising the use of existing spaces and through the installation of a contemporary pod which appears to float in the space, providing a mezzanine level master bedroom and ensuite.  

The final finishing touches are credit to the love and dedication that Geoff and Julie have given the project provided reusing items salvaged from church. A lantern purchased with the building has been restored to be the main light in the living room. The pulpit has become a table and a headboard. The Bell chime mechanism has been restored by Paxford Engineering, new door runners fabricated by MRK and the clock face sprayed at Brothertons, all businesses based on the Northwick Park Estate. 

The external walls have been cleaned, the building fabric insulated and upgraded and the building now has a new use for the next 150 years to be shared with as many guests as possible, whilst continuing to be a beautiful focal point for the village.

A perfectly ‘sty-lised’ studio from ruinous eyesore!

We are delighted to have received planning permission and listed building consent for a contemporary artist studio in the curtilage of a private country house in Wiltshire amidst the sensitive setting of the Broad Town White Horse. The new art studio is to be constructed on the footprint of a ruinous pigsty, and next to a boiler house.

Good survey information, along with a heritage statement, condition survey and visual assessment informed a sensitive and contemporary design which reflected the appearance of the old pigsty, whilst better revealing the heritage of the site, and bring into use the old boiler house falling into disrepair.

We were approached by the client as the existing application was about to be refused by Wilshire Council from a combination of the Council not being able to physically visit the site, and also the inadequacy of the existing information.

Following a review of the site and the scope of work, the scheme was modified to remove any harmful elements of the proposals. A new measured survey was commissioned, a heritage statement and condition survey was prepared to justify the alterations to the smoke house. The heritage statement informed the design and a new scheme prepared to reflect the appearance of the old pigsties.

A revised application was submitted within 3 weeks of being appointed.

Mission church - a faithful approach to design

We are pleased to announce that we have received planning permission for the conversion of Mission Church, Paxford into a two-bedroom, holiday let.

‘Mission Church’ was initially constructed as an Infant School for 100, in an ecclesiastical style and was used for Church services very shortly after. In 1886, the building became a National School, spreading the Mission of the Church and promoting education to the poor.

The design retains a significant part of the Nave and the view of the Chancel from the entrance. New bedroom accommodation is provided in a mezzanine pod toward the west end of the Nave and in the old classroom.  Existing features such as the exposed rafters, the classroom door, stained glasses, polychrome panels and graffitied plaster are to be retained and conserved.

The design incorporates the latest in technological innovations. Retaining the open plan arrangement with a kitchen between the main living spaces and the only fire exit was the primary design challenge. The solution has been to install an Automist smart scan system, a system which provides an alternative solution to a traditional sprinkler system. The cost of the system is £5000 ex VAT and is cost neutral in contrast with the comparable work of installing new partitions and fire doors.

Packwood Piers

Following a lovely spring day surveying at Packwood House, Warwickshire, we are delighted to have been appointed by the National Trust to carry out the rebuilding of the piers on the main entrance driveway.

Our survey revealed that the piers are leaning from the brick footing at ground level, so all of the brickwork will need to be carefully dismantled, recorded and re-built from the base up. The pier is of no immediate safety concern but will be rebuilt this year as a precaution. We are busy drawing up each and every brick so that the piers can be rebuilt. The conservation conundrum is whether to rebuild the piers exactly as they were originally - other piers across the site have finials and those on the south piers appear to be missing. The origin of these piers is as yet unclear.

Packwood House belonged to the Fetherson Family from the 15th to the 19th Centuries. Charles Fetherson (1815) insisted everything he ate drank, used and wore be grown on his land and made within his walls. Sadly this did not last and the house fell to ruin. Packwood was eventually bought by a midlands industrialist, Alfred Ash in 1905. His son Baron Ash made its restoration his life’s work. The entire interior was inserted in the 1920-1930s garnered from decaying houses across Britain. Baron Ash was of a generation that disliked Georgian and Victorian styles, his aesthetic preference was for the antique.   

Lions lucky escape

James Mackintosh Architects have been appointed to carry out the reinstatement of the north front balustrade stonework to the west of the Porte Cochere at Stowe House. Damage was caused following an accident, involving one of the house security guards who suffered heart attack whilst driving and crashed at speed. The incident came as quite a shock, but fortunately the security guard is recovering following surgery. Works on the reinstatement commenced this week.

The project involves the removal and reconstruction of the lion plinths, and the reconstruction of the balustrade stonework, using as much of the surviving stonework as possible. Careful consideration has been provided to the method of lifting the Coade Stone Lions which have high architectural significance. A method statement has been prepared by the Morton Partnership and the execution will be carried out by specialists Cliveden Conservation.

Cliveden Conservation commence repairs on the Lions this week. Cliveden Conservation have been involved in several phases of repair at Stowe, including the relocation of the Bickerdyke Lions from the South Front only a few years ago. Their first priority will be safely relocating the west Coade Stone Lion so the plinth can be rebuilt.

Foxcombe Fireplaces

Example of Delft tile

Early 20th Century changes to historic fireplaces at Foxcombe Hall.

Despite the modern lighting, carpet and furniture, Earl Berkeley's Bedroom and Dressing Room of 1904, designed by Ernest George and Yeates, remain largely intact. Decorative relief plaster cornice and carved wood doors, the period fireplace with blue tiling. However, one thing I overlooked (until my recent meeting with Vale of the White Horse DC, conservation officer, Sally Straddling) was why were these precious tiles installed? ...and what the fireplace would have looked like originally? This was a good question, and on reflection is something that I have seen over and over again. Firstly at the Radcliffe Infirmary in 2011, and more recently at Somerville College.

The main period of tin-glazed pottery in the Netherlands was from 1640-1740. Delft - based on 14th Century Chinese Porcelain became incredibly popular as a result of Dutch trade with China.  Despite the artistic process involved in the creation of Delft tiles, the tiles did not evolve into a luxury item, andinstead remained accessible to most of the middle class population in colonial Dutch society. As Dutch Delftware increased in popularity, the English began to incorporate the Dutch painting style into their tiles as well. As demand grew, the production of Delft tiles was manufactured in factories, the most famous of which were based in Bristol and Liverpool. Eventually the Dutch followed suit and began to produce their own tiles in factories. The tiles became popular after an embargo was imposed against the importation of goods into Britain

The fireplace in Berkeley's Drawing Room at Foxcombe 2017.

In the colonies, Delft tiles became an expensive item as authentic copies could only be imported from Britain.

It is not clear whether the tiles at Foxcombe were Dutch or a reproduction from England, nevertheless they appear to pre-date the 1904 Chimney.

Hilary Grainger's recent book 'The Architecture of Sir Ernest George and Yeates' predominately illustrates exteriors and therefore doesn't provide a clue to the typical George and Yeates designs. Gavin Stamp's book on Lutyen's (Pupil of Ernest George) has a number of fireplaces similar to the fireplace at Foxcombe, such as the fireplace at Sullingstead See fig 1. Given the grandeur of the interiors carried out by Ernest George and Yeates at Foxcombe It seems most likely that the fireplaces at Foxcombe would have reflected the architectural fashion of open fires, reflecting the designs of fireplaces from the medieval country house.

Sullingstead, Lutyens

So why and when was it covered up?

During the Edwardian period 1901-1914, the preoccupation as far as fireplaces were concerned was to achieve greater efficiency with less fuel consumption. Slow combustion techniques were constantly being improved. The cheeks of the fireplace would be made from fire-brick, splayed at the sides and with the back sloping forward, so to project more heat into the room. Often the grate was ventilated directly from outdoors to the fire did not draw a draught across the room. Chimney pieces took many forms, with an increase in the use of glazed tiles more elegant than in the Victorian Period, and often set within older period frames.

So my assumption is that it was covered up by Albert Richardson as part of his 1935 alterations shortly after Rippon Hall purchased the House. The closing of the back would have improved the efficiency of the fire and the ancient tiles have proved a sympathetic and appropriate design solution of the time. 

So what to do? it would be lovely to see what is behind the fire boarding, but perhaps the tiles have more relevance now that the building has been taken over by Peking University. Perhaps the simplest thing to do is to find a suitable fire grate to install within the tiles - we shall have to wait and see.

References
https://hhscollections.wordpress.com/2015/10/20/the-evolution-of-dutch-delft-tiles
Elements of Style, Calloway S. Octopus Publishing London 1992.
Edwin Lutyens Country Houses. Stamp G. Aurum Press, London 2001.
The Architecture of Sir Ernest George and Yeates, Grainger H. Spire Books, Reading 2011

Sensitive solutions for 9 and 10 Ship St

9 and 10 Ship St are Grade II listed properties owned by Oxford City Council. The properties are on the Medieval Town wall and are timber framed. A short heritage snapshot revealed that both 9 and 10 Ship Street, retain surviving building fabric from the medieval wall of Oxford, which survive within the cellars. Both properties were re-faced and re-roofed in the 18 Century whilst elements of the timber framed structure seems likely to date from 1643-1675. According to the Inventory of the City of Oxford, 1939, No. 10 Ship Street was re-fitted in the 18th Century and No. 9 has a newel staircase. At this date both properties were in a good condition The listing description confirms that no 10 Ship St was altered in 1969, however, from our initial inspection of the surviving fabric and a verbal description of previous alterations provided Oxford City Council, it appears that both properties were substantially altered at this time.

Oxford City Council have engaged James Mackintosh Architects Limited to prepare proposals for upgrading the building to comply with the stringent requirements of the HMO (House of Multiple Occupation) design guide and part B of the Building Regulations. Timber framed buildings are naturally difficult to upgrade for fire as there are often voids between floors and walls allowing a fire to travel from basement to second story. The good news is that there are many suitable construction details and specialist products to overcome this. Specified and approached correctly most are benign in conservation terms. An added complication is that in both properties there is no direct means of escape to outside, so alternative means of escape from the first floor are proposed.

We have currently prepared a strategy to for escape and to avoid additional claims whilst the work is on site plan to prepare bespoke details for upgrading each and every junction.