restoration

Manor House, Islip - from farmhouse to home

We are delighted to have received planning and listed building consent for alterations to Manor House, Islip. In a bold, but sensitive scheme, consent has been granted to convert the old farmhouse into a contemporary home. The proposals involve providing additional dormers in the roof space so that the attic can be converted for bedroom accommodation. At first floor, the removal of modern partitions will create a generous master bedroom suite. On the ground floor, later partitions will be removed to restore the symmetry of the central sitting room and adjust the bay window so that the utility can be used as a breakfast room. The construction of a new garden room to the rear will provide aspect out onto the garden.  

The proposals also include a scheme of repair including the re-roofing of the stone slate roof, re-pointing and unpicking of unsightly alterations to the rear.  

Our initial research has established that the dwelling was once a farmhouse dating from the early 18th century.  Despite its historic and architectural importance the house has seen many changes, particularly in the 19th century when the house was updated to Victorian standards with a dedicated coal house, wash house and separate kitchen. Victorian windows were added in the ground floor and the east end adapted in the 19th century, and long used as the village store. The proposals will remove poor 20th century alterations restoring the dignity of one of the oldest working houses in Islip.

Mary Somerville back at the heart of Walton House, Somerville College.

Departing Principal Dr Alice Prochaska had long wished to see the former JCR in the oldest part of the College, Walton House restored as a quality interior deserving of an Oxford College. The Mary Somerville Room a contemporary - period restoration of the old Dining Hall.

James Mackintosh was appointed by Treasurer Andrew Parker to transform the room into a very elegant well-proportioned space in a periodically sensitive way.

The aim of the project was to restore the space to how the Hall appeared in 1901 – its finest period of decoration. However, a true arts and crafts interior would have been heavy and masculine – in contrast later dates would have been too domestic. The brief for the detail developed with college archivist, Anne Manuel, was ‘classical with a hint of arts and crafts’.